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Oct 9
, 
6:00 pm
 – 
9:00 pm

Imacon Scanning: Best Practices

Brendan George Ko

Learn the ins and outs of G44’s Imacon 949 scanner: learn an in-depth practice of scanning film and adjusting them for later work in Photoshop. This workshop will deal with workflow using Flexcolor software and Flextight (Imacon) scanner, using raw scans (3F), post adjustments in color and exposure, and a brief Photoshop demo working with film scans as well as making digital contact sheets.

Participants should bring a film negative or positive to scan and a laptop with Flexcolor installed. Flexcolor is available for free on the Hasselblad website. http://www.hasselblad.com/support/manuals/software-current (You must create an account).

Brendan George Ko is a visual storyteller that works in photography, video, installation, text, and sound based between Toronto and Maui. His work is about conveying a sense of experience through storytelling and describes the image as supplementary to the story it represents. In 2010, Ko received his BFA from Ontario College of Art & Design where he majored in photography, and in addition he practiced sculpture and curation. During his time in the Masters in Visual Arts programme at the University of Toronto his practice shifted into video and sound. 

Ko’s work has been included in such events as The Magenta Foundation’s annual photography exhibition and publication, Flash Forward, the juried exhibition Hey! Hot Shot by Jen Bekman in New York City, and in numerous auctions such as ACT’s Snap! Live Auction, Buddies in Bad Times' Art Attack Auction, and Youthline’s Line Art Auction. In addition he has been commissioned by The Hospital for Sickkids and the Harbourfront Centre and has shot for Vogue, Bloomberg Businessweek, Monocle, Globe and Mail, Topic, Matador Records, Jagjaguwar Records. 

$

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$

 Members

$

 

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401 Richmond St. W, Suite 120, Toronto, ON, M5V3A8
info@gallery44.org
416.979.3941
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Gallery 44 acknowledges that it is situated on stolen land. On the ancestral and traditional territories of the Mississaugas of the Credit First Nation, the Haudenosaunee, the Anishinaabe and the Huron-Wendat, who are the original owners and custodians of this land that they continue to inhabit today.

Acknowledging the land on which we work and create is an important first step towards truth and reconciliation, however, much more needs to be done by settlers, by our government, and by us as arts practitioners to educate ourselves and others, and to endeavor to end ongoing colonial violence.

During this global pandemic, it is important to acknowledge that Indigenous communities in Canada continue to live under increasingly inequitable conditions.

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