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Nov 1
, 
6:00 pm
 – 
9:00 pm

NEW! Imagining Places: Alternative Approaches to Landscape Photography- PART 1

Kotama Bouabane

This workshop, facilitated by artist/educator Kotama Bouabane will examine various strategies photographers have used to challenge traditional landscape photography. Participants will look at numerous ways of representing a a sense of place: by blurring lines between truth and fiction, by using artifacts from the landscape and re-integrating them into the final image, etc.

Participants are then encouraged to bring 5-7 small photographs (no larger than 11"x17") from a complete or in-progress series to the workshop. Artists will participate in a sharing circle intended to stimulate constructive criticism and creative feedback from Kotama and other participants.

This workshop is a wonderful complement to Imagining Places: Alternative Approaches to Landscape Photography  PART 2 which is an experimental, hands-on workshop on Wednesday, Nov 8th, 2017.

*Registration is limited to 10 participants max in order to permit informal and intimate conversation and critique.

Kotama Bouabane has an MFA in Studio Arts, Photography from Concordia University, Montreal and a AOCAD from OCAD. His work has been exhibited in many galleries including Centre A (Vancouver), Contemporary Calgary (Calgary) & Gallery 44 Centre For Contemporary Photography (Toronto). He has received many awards and grants from the Toronto Arts Council, Ontario Arts Council & the Canada Council for the Arts. He currently holds positions in the Photography Department at OCADU and York University. Upcoming exhibitions include VU Photo in the fall of 2017 and The New Gallery in Calgary in 2018. 

$

 Non-Members

$

 Members

$

 

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401 Richmond St. W, Suite 120, Toronto, ON, M5V3A8
info@gallery44.org
416.979.3941
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Gallery 44 acknowledges that it is situated on stolen land. On the ancestral and traditional territories of the Mississaugas of the Credit First Nation, the Haudenosaunee, the Anishinaabe and the Huron-Wendat, who are the original owners and custodians of this land that they continue to inhabit today.

Acknowledging the land on which we work and create is an important first step towards truth and reconciliation, however, much more needs to be done by settlers, by our government, and by us as arts practitioners to educate ourselves and others, and to endeavor to end ongoing colonial violence.

During this global pandemic, it is important to acknowledge that Indigenous communities in Canada continue to live under increasingly inequitable conditions.

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