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Feb 6
, 
6:00 pm
 – 
9:00 pm

NEW! What Next?: Navigating through your Artistic Path

Lyla Rye

This career-planning workshop is geared towards artists and creatives.

Through the instruction of Artist and Mentor Lyla Rye, participants will envision the conditions for their own success. Using a questionnaire and discussion model to identify goals and solutions, this workshop will cover everything from workspace, tools, materials, time management and critical feedback to notions of success and how to feel part of the art community.  

Lyla Rye is a Toronto based artist who began her studies in architecture. She works in installation, sculpture, video and photography to explore our experience of architectural space. She received a BFA from York University and an MFA from the San Francisco Art Institute. For over 25 years her work has been exhibited in galleries and screenings across Canada and internationally including New York, San Francisco, Adelaide (Australia), Paris, and Berlin. She has exhibited at The Power Plant, The Whitney Museum of American Art, Southern Alberta Art Gallery, The Textile Museum of Canada and Olga Korper Gallery among others.

Rye has taught at the Ontario College of Art and Design University, University of Guelph, Queen’s University, University of Toronto Continuing Studies, Toronto School of Art, the San Francisco Art Institute and most recently in the Art and Art History Department at Sheridan College. For over 5 years Rye coordinated the post-degree program at Toronto School of Art leading group seminars as well as mentoring a student in the program each term. She has been an admissions juror for both secondary and university programs, a juror for provincial artist grants and an advisor and an examiner for Master of Fine Arts theses.
www.lylarye.com

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401 Richmond St. W, Suite 120, Toronto, ON, M5V3A8
info@gallery44.org
416.979.3941
Closed during lockdown. Online office hours Tue – Fri, 11:00 – 5:00 PM.
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Gallery 44 acknowledges that it is situated on stolen land. On the ancestral and traditional territories of the Mississaugas of the Credit First Nation, the Haudenosaunee, the Anishinaabe and the Huron-Wendat, who are the original owners and custodians of this land that they continue to inhabit today.

Acknowledging the land on which we work and create is an important first step towards truth and reconciliation, however, much more needs to be done by settlers, by our government, and by us as arts practitioners to educate ourselves and others, and to endeavor to end ongoing colonial violence.

During this global pandemic, it is important to acknowledge that Indigenous communities in Canada continue to live under increasingly inequitable conditions.

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