Natura, Naturata explores the economic and political frameworks that shape our existence that often lead to profound feelings of alienation. Drawing influence from Karl Marx's theory of alienation and disconnection from one's true self, experienced through labour, artist Kadee McFarlane explores themes of self-perception, individuality and freedom of expression.
McFarlane navigates moments of deep reflection, away from the incessant demands of daily life, to contemplate the profound impact of self-alienation linked to a culture of individualism prevalent in our society. The exhibition captures instances of tranquillity and reprieve, imbued with underlying hope, envisioning a world where collective action triumphs with the possibility of reconnecting with ourselves and each other to transcend the barriers that divide us.
Kadee McFarlane's photographic odyssey commenced within the creative confines of his secondary school when he first engaged with analogue photography. McFarlane intertwines his intricate narrative and rich Jamaican ancestry with a profound engagement with the history of class struggle—particularly Karl Marx's theory of alienation and the significance of collective organizing within labour movements across the globe. His method, predominantly intuitive, captures the essence of spontaneous and genuine moments, a testament to his belief in the unspoken power of visual storytelling.
