Letticia Cosbert Miller is a Toronto-based writer, curator and researcher, and the current Director of Koffler. Digital at the Koffler Centre of the Arts. Letticia holds a B.A. in Classics from the University of Toronto, and an M.A. from Western University, where she specialized in erotic Latin poetry.Letticia’s work as a writer is often in dialogue with historical, mythological, or philosophical tropes from the western classical tradition, interrogating its cultural proliferation. Her current research interests lie within the reception of Classics in Black diasporic contemporary culture, with particular regard for the application and evaluation of Classical ideas in visual and performance art, film, literature, and critical theory.
Quill Christie-Peters is Gallery 44’s 2019-20 Writer-in-Residence. She is an Anishinaabe arts programmer and self-taught visual artist currently residing in Northwestern Ontario. She currently works as the Director of Education and Training for the Aboriginal Curatorial Collective where she is coordinating the Emerging Curatorial Training Program. She is the creator of the Indigenous Youth Residency Program, an artist residency for Indigenous youth that engages land-based creative practices through Anishinaabe artistic methodologies. She holds a Masters degree in Indigenous Governance on Anishinaabe art-making as a process of falling in love and sits on the board of directors for Native Women in the Arts. Her written work can be found in GUTS Magazine and Tea N’ Bannock and her visual work can be found at @raunchykwe.
Luther Konadu is a writer and artist of Ghanaian descent based in Winnipeg Manitoba. He is a content creator for the online publication Public Parking. A project for highlighting the working practices of emerging creators and thinkers. He is also a writing contributor for Akimbo. His studio labour is project-based and realized through photographic print media and painting processes. He is interested in how the legacies of those mediums continue to shape prevailing perceptions of group identities. He uses his work to reinterpret those image-making mediums. Konadu lives and works on Treaty One Territory, the stolen lands of the Anishinaabe, Métis, Cree, Dakota and Oji-Cree Nations.
Yaniya Lee’s interdisciplinary research questions critical-reading practices and reconsiders Canadian art histories. Lee was previously on the editorial advisory committees for Fuse and C Magazine. From 2012-2015 she hosted the Art Talks MTL podcast, a series of long-form interviews with art-workers in Montreal. She is a founding collective member of MICE Magazine, a member the We Curate, We Critique collective and a member of the EMILIA-AMALIA working group, the latter of which was artist-in-residence at the Art Gallery of Ontario in the summer of 2017. Later that year she participated in the Banff Research in Culture:Year 2067 residency and organized a series of public conversations with Black Canadian artists alongside Cauleen Smith, Jerome Havre and Camille Turner’s “Triangle Trade” exhibition at Toronto’s Gallery TPW. Lee currently works as associate editor at Canadian Art magazine.
Maryse Larivière is an artist, writer and scholar whose work re-imagines how we engage with the textual, visual and social through bodily and emotional acts of encounter. Her practice crosses art, literature, politics and theory, taking the form of text, performance, sculpture, collage and film. Recent exhibitions include Talking Back, Otherwise (Art Museum University of Toronto), Down to Write You this Poem Sat (Oakville Galleries) and A Pool Is Water (Galerie Division Montreal).